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Martin Bailey Photography Podcast (Enhanced) - Podcast StreamDescription: This podcast is the perfect mix of tips, technique, art-talk, gear-talk, interviews, travelogues, critique and competition, illustrated by Martin's images, and complemented by a thriving online photography community of helpful and friendly photographers of all experience levels.
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Martin Bailey Photography Podcast (Enhanced) - streams of individual podcasts
#215.2 : Soft Proofing for Best Print Results ( MP3 Audio Only)
This week I discuss soft-proofing in Photoshop CS4 for the best possible results when printing. This version audio only, so do consider grabbing the iPhone optimized or full sized video versions available in iTunes and on my blog.
View the video or download the full sized video or iPhone optimized version on the blog: http://blog.martinbaileyphotography.com/2009/11/04/podcast-215-soft-proofing-for-best-print-results
#39 : More on Mood; Fleeting Moments
Following on from episode 38, this week I talk about images of fleeting moments in peoples lives that really could not be recreated without going to a lot of trouble, and even then probably not possible. Being ready to capture the image is everything!
Here a link to the site I mention, TrekEarth, conceived and owned by a good friend of mine. http://www.trekearth.com/ If you want to go on a virtual photographic trip around the world, take a look.
And here is the site for the exhibition in which five of my images are on display. http://www.lis .trieste.it/ita/museo/mostra.htm It is all in...
#38 : Capturing and Creating Mood
Mood, or atmosphere is often an intangible substance that can sometimes be difficult to put into words, and often more difficult to capture on film. I talk about some of the occasions that I think I captured the mood as it was or created it in some way.
Here is the link to Fred Miranda
Also, here s a link to the tutorial on creating black and white images in Photoshop that Wayne posted on our Web site. Thanks Wayne! http://www.photoshopuser.com/landscape.htm
Please do also take 5 minutes to complete the Listener s survey. You ll find a link and some reasons why I
#37 : Fair Weather Photographer, Not
Some photographers stay in doors in inclement weather, but by doing so you re reducing your chances of getting some great shots, that can only be made by shooting in the rain. I also announce the results of the Contrasting Colours Photography Assignment.
In addition to the main topic on shooting in wet conditions today, I make a brief comment on the top three placed winners of the Contrasting Colours Assignment. Here you can find the final scores. http://www.martinbaileyphotography.com/scores.php
Note that the comment and rating features are no t wait to see what you guys make of this ne...
#36 : A Few Filter Tips
There are still certain physical filters that I use and some that I am now shying away from in favour of Photoshop. Listen on for details, along with some real-world examples.
In recent years, digital photography has done away with the necessity for some filters, such as daylight filters and warm-up filters etc as most colour correction is now taken care of much more easily by the White Balance feature on our cameras.
Check out the Cokin filter systems here http://ww s a link to the new Podcast 'Light' page I mentioned at the end of this episode. Please check it out if you use a small fo...
#35 : Chichibu Cement Factory
The Chichibu Cement Factory opened in 1923 but now lays almost derelict having stopped product around 1993, after 70 years. Now the only noise to be heard is the sound of a large fan or vacuum as they remove the last remaining cement... s survey. You ll find a link and some reasons why I
#34 : Eyes
ve got a thing about eyes. I m sure most of us do. It s been said that the eyes are the windows to the soul. And sharp eyes are the key to good images that draw us in.
When we look at photos with eyes in them, our own eyes automatically search them out, and quickly. In this episode we ll take a look at a number of real world examples to reinforce these statements.
Please do take 5 minutes to complete the Listener s survey. You ll find a link and some reasons why I
#33 : Reduce Camera Vibration Further
This week s episode is kind of a follow on from last week about tripods, and I ll talk about ways to further reduce vibration to get even crisper, sharper images.
Wireless Remote Control Releases, Cable Releases and Timer Controls etc. are available for all camera systems. Check your instructions or the manufacturers Web site for details.
You can take a look at the Wimberley Plamp that I recently picked up here: http://www.tripodhead.com/products/plamp-m s survey. You ll find a link and some reasons why I
#32 : Tripods, Monopods, etc.
Keeping your camera stable, particularly in low light, or with long telephoto lenses, is one of the most important things to do to improve the quality of your images. In this episode hear what types of camera supports I use with a few real-world examples.
My current equipment is as follows...
Tripod #1
Legs: Manfrotto 444 Carbon One
Manfrotto s Web site: http://www.manfrotto.com/
Head: Acratech s The Ultimate Ballhead with a Wimberly QR (Quick Release) Clamp C-10
The Ultimate Ballhead:
http://acratech.net/
Wimberly QR (Quick Release) Clamp C-10:
http://www.tripodhead.com/products/q...
#31 : Contrasting (Complimentary) Colours
Although including similar colours makes for well balanced images, using contrasting colours can make for dramatic and often pleasing images. Let s take a look at the positions of these colours in a colour wheel for proof of why some images work.
Take a look at the Colour Wheel I ve added to the site at the below link. http://www.martinbaileyphotography.com/colourwheel.php
This Colour Wheel was developed by Jemima Pereira though I ve modified it slightly such as adding one more colour to the main list, so that you can see four full pairs of colours etc.
Thanks Jemima for your technic...
#30 : PIE 2006 - Impressions
On Sunday the 26th or March, 2006, I visited the Photo Imaging Expo or PIE 2006 at the Tokyo Big Sight international exhibition center. In this episode I m going to relay my impressions of the visit, based mainly on what I wanted to get from it.
You can see the English page for the PIE 2006 here at the following site. I don t know how long this will be live though: http://www.pie2006.com/
See the Lowepro camera bag systems here: http://www.lowepro.com/
You can drill down to the Epson Printers and portable storage, image viewers that I mention here: http://www.epson.com/
You can find ...
#29 : Spring is in the Air!
A resent trip to one of the local parks reminded me that Spring is in the air! I ll discuss some blossom photos and also a little about the need to stay healthy. Without our health no amount of camera equipment and enthusiasm will get you photos.
Spring is a great time for nature and wildlife photography, but with the clear skies and warm, not too hot, weather, it makes for better conditions all round. The Shinjuku Gyoen Park here in Tokyo is a great spot to get away from the middle of the hustle and bustle and captures some dreamy bloss om images.
Also, please do take 5 minutes to compl...
06 Part IV - Deer and Seals
In this the final episode of a photo-journal of my trip to Hokkaido the northern-most island of Japan, in Feb 2006. I discuss Some deer shots from the afternoon of the third day and some seal shots from the last hours before heading for the airport.
To list all images all images from my four day trip to Hokkaido click the following link. The shots will actually probably be listed in descending order, with newest first. If you want to view the shots in the order they were made, click on the last number on the bottom right of the browser wind
06 Part III - Eagles at Sunrise
In this the third of a four part photo-journal of my recent trip to Hokkaido I talk about a two hour trip out on the Sea of Okhotsk from the Rausu port, in which I shot a beautiful sunrise and hordes of Steller s Sea Eagles.
To list all images all images from my four day trip to Hokkaido click the following link. The shots will actually probably be listed in descending order, with newest first. If you want to view the shots in the order they were made, click on the last number on the bottom right of the browser wind
06 Part II - Eagles, Ice, Swans
In this the second of a multi-episode photo-journal of a trip to Hokkaido the northern-most island of Japan I discuss some hand-picked Eagle shots, some typical Hokkaido winter landscape shots, some Omiwatari or 'God s Walkway' shots, and some swan shots.
To list all images all images from my four day trip to Hokkaido click the following link. The shots will actually probably be listed in descending order, with newest first. If you want to view the shots in the order they were made, click on the last number on the bottom right of the browser wind
06 Part I - Japanese Cranes
In this the first of a multi-episode photo-journal of a trip to Hokkaido the northern-most island of Japan I discuss some hand-picked Japanese crane shots. I accompanied top Japanese nature photographer Yoshiaki Kobayashi with 12 other participants.
To list all images all images from my four day trip to Hokkaido click the following link. The shots will actually probably be listed in descending order, with newest first. If you want to view the shots in the order they were made, click on the last number on the bottom right of the browser wind he Australian based photographer that I met at t...
#24 : Teleconverters and Extension Tubes
In this episode I talk about Extenders as Canon terms them, or Tele-converters as most other camera manufacturers term them, and also about Extension Tubes, which are similar to teleconverters but behave differently and have different applications.
If you didn t listen to episode 23 yet, we basically learned that the longer the lens, the more prone to camera shake your images will be, and I mentioned a few ways we can minimize the risk of this, including the rule of thumb I use, which is using the focal length you are shooting at as the slowest advisable shutter speed. If you are not so c...
#23 : Using Telephoto Lenses Successfully
This week I talk about what constitutes a telephoto lens, touch on some general applications, the difficulties we face when using medium to super-telephoto lenses and introduce some advice and techniques to help overcome these difficulties.
As usual I have a number of real-world examples of my results when using a super-telephoto lens. Next week I ll be following on from this episode, talking about Extenders as Canon terms them, or Teleconverters and extension tubes. These allow you to increase the focal length of your lenses relatively cheaply, but, at a cost. Tune in next week to find o...
#22 : Composition - Repeating Patterns
In this episode I discuss a simple but often effective compositional technique of including repeating patterns in your images and introduce a number of real-world examples to illustrate my points.
Look for repeating patterns in both urban and rural environments to create somewhat abstract, but effective images.
Follow this link to see all examples of Repeating Patterns on my Web site to date. As I add more, the link will automatically pick them up: http://www.martinbaileyphotography.com
#21 : Printing with Profiles (Colour Mgmt II)
In this, the second part of the colour management Podcast, I discuss setting up Photoshop to use the AdobeRGB colour space, then go on to the options with regards to printer/paper profiles, soft-proofing, then actually printing with the selected profile.
Here is a link to a video tutorial that will allow you to see the screens I walked you through in last weeks Episode on monitor calibration. I couldn t show you my screens, as I use the Japanese version of the software, so it wouldn t be much use to most of you. Thanks to Reg Belcher, screen name Mr B from Norwich, in the UK for posting t...
#20 : Monitor Calibration (Colour Mgmt I)
The first of two episodes on colour management in which I discuss how I calibrate my monitor to ensure that what I am seeing is the same as anyone else with a correctly calibrated monitor and to ensure that the image I work with can be printed faithfully.
For my monitor calibration I use chose Spyder2PRO from ColorVision. Eye-One Display 2 is another great option. Both companies have various offerings at various prices. Below are the links to similar products, so you can take a look and decide what is best for you. Of course, there are other prod
#19 : Dramatic Sunsets and Visualization
Sunsets are probably one of the most photographed natural occurrences. So much so, that we need to make them dramatic to set them apart. Also, being able to visualize a photo in advance will give you the edge when it comes to choosing your shoot location.
When the sky starts to turn orange then red as the sun goes down, it can make an amazing spectacle, and your emotions will run riot and you might not think much about what you are shooting. To make your image convey the emotion you want to, try to find a dramatic setting to capture your sunset s hots, and set them apart. Some sunsets are...
#18 : Winter Photography Part II
Following on from Episode 17 on Winter Photography, in this episode I mention a few things I forgot and some things that site members brought up. Also, I show some more images made in sub-zero conditions, and a new Gallery Web site for MBP Member ention in this episode are made by a French company call ValandrAc. I couldn
The following link will display the Help document I created to show examples of BBCode to embed thumbnails and image from the new MBP Member Galleries site I
#17 : Winter Photography and e-Cards
Winter photography can be very rewarding, but also dangerous for the unprepared. Here s a number of shots that might not look out of place on the front a Christmas Card, and some tips on how to keep your camera going and stay safe in harsh weather. a UNESCO World Cultural Heritage site in 1995. This idyllic yet harsh snow-belt village contains a multitude of buildings that have what are called Gasshouzukuri roofs. The word Gasshouzukuri literally translated means 'built in the shape of praying hands', because the steep sided roofs resemble the shape made when putting two hands together in pr...
#16 : Composition - Include an Accent
This week I talk about including an accent in your images. When we view images we probe all areas. Add that little extra or compose with this in mind, and your images will have that little touch that once found, will make it stick in the viewers mind.
Of course, some images will just explode at us and can fling us into any number of emotional states in an instant. But in addition to this initial response, people want to work for that little extra enjoyment of a work of art.
#15 : PL for Water + a Moral Dilemma
This week, in addition to talking about using a polarizer to reduce reflection in water, I touch on the controversial topic of whether or not a nature photographer should extend a hand to wild animals in distress or danger.
This is a difficult subject indeed, which I can only scratch the surface of here.
I ve started a poll at the location below to find out your views, and I look forward to hearing from you in the forum too.
Note: Due to some experimentation with my audio gear, there was some background noise through the first half of this week s episode. I didn t have time to go back...
#14 : White Balance
In this episode I talk about how I deal with White Balance, using the camera presets and when necessary how I set my Custom White Balance. s the link from the first post to an excellent article called Understanding White Balance on Sean McHugh s equally excellent Web site, Cambridge in Colour: http://www.cambridgeincolour.com/tutorials/white-balance.htm
The WhiBal (White Balance) Reference Card sets also looks great. I haven t used a WhiBal set myself yet, though like a few other members, its now on order. Check out what options are available and buy online here: http://www.rawworkflow.com...
#13 : Tilt-Shift lens for Surreal Images
In this episode I talk about how I use my 24mm Canon TS-E Lens to obtain some creative effects, and maybe breath a little life into your Tilt-Shift lens if you think it s only for straightening up buildings in architecture shots.
If you use the Tilt capabilities of these lenses to move the focus plan to run at almost 90 degrees from the film plane, in certain circumstances the results will be quite surreal, looking like a macro shot of a model.
#12 : Digital Workflow
In this longer than usual episode I walk you through my Digital Workflow, touching on all major aspects, from transferring the image files to my PC, to sharpening for print and backing up files.
I explain all the major steps for you to think about including transferring files, how I organize my directories and view by date using third party software. On to rating and selecting my best shots to take further into the workflow and exporting to Photoshop or opening in PhotoShop RAW, and som e of the fine tuning I do to the image. I also explain about the different versions I save off, and sha...
#11 : Good Planning... Good Luck!
Good planning is very important, and doing as much as you can to improve your chances of getting the shot is paramount, but at the end of the day, a winning shot may be as much down to luck as it is planning.
This week I talk about the first location on my five day Tohoku (North-Eastern) Japan trip, and how I was lucky to get that extra touch for a shot, but was aided by ensuring I d visit the site twice. Of course, as they say about the lottery, you ve got to be in it to win it, so I am a big believer in doing as much planning as possible to hedge your bets, but luck definitely plays a b...
#10 : Exposure and Manual Mode
In this episode hear about Exposure, Exposure Compensation, EV (Exposure Value) and the times that I switch to Manual mode when shooting. This is especially useful when shooting high contrast scenes when the subject might move between high contrast areas.
Switching to manual is often a little scary, especially until you master exposure. This episode is a bit heavy going, but hopefully will help you to master exposure and give you the push to try manual mode, when necessary.
See other shots from the February 2004 Hokkaido shoot here: http://www.m uilt in meter. It will also improve the ac...
m trying, OK!
Following a business trip to India, I ve decided to do a Podcast on a subject I m not so confident with; portraiture. I include some shots from the little free time I had during my trip, explaining my shooting methods, and exposure compensation hints.
Predominantly a nature photographer, although I try, I m not very good at making portraits. The actual photos will speak for themselves, so you can make up your own mind about that, but the actual making of the photos doesn t come very naturally to me. My main problem is that I get a little shy when pointing my camera at people instead of an...
#08 : Composition - Getting in Close in Landscapes
Although I love a wide sweeping landscape, it is often very effective to get in close, and just cut out a small area of the scene.
The human eye has an amazing propensity to zoom in on many areas of a scene in an instant, but we tend to record the whole scene in memory. The areas we zoom in on are those that take our interest. It is up to the photographer to realize where those areas are and record them to film or digital m emory.
Listen at the end of this week s Podcast for news of a new monthly prize open to forum members. The winner of October s prize, worth around US$160 or 85 UK pou...
t give away your art!
A somewhat controversial subject, but this week I talk about the need to protect yourself and photography as a profession, by learning how to negotiate and stick with negotiation to get your price.
It s incredibly tempting to give your work up for free, especially when you think of the amount of publicity you d be passing up, but if you don t pass it up, you ll be doing nothing more than helping to knock the bottom out of the very market from which you may one day hope to making a living. ve created a page on my site called Recommended Reading, and started with a few titles on pricing pho...
#06 : Composition - Foreground 'Boke' or Blur
Learn how to use Boke or out of focus area of an image to add a dreamy feel to your shots. Plus something to try beforehand to lessen the shock of loosing extra zoom when switching to a full size sensor DSLR with no crop factor, such as the Canon EOS 5D.
Following on from my Canon EOS 5D review last week, in reply to a question from a listener, I briefly discuss a possible way to check if you can handle loosing that x1.6 focal length from APS size sensor camera s such as the 20D.
The main topic for this episode is using foreground 'Boke' or the blurred area of an image to add a dreamy f...
#05 : Canon EOS 5D Review
Having spent a few days with my new Canon EOS 5D, here is a first impressions based review, in which I explain the merits and demerits of the 5D, plus give you some examples shots from the field.
In this episode I give a first impressions review of the Canon EOS 5D. This is not going to be a full technical review. See below for links to online technical reviews and other links of interest.
The 100 percent view of the centre of the White Cosmos shot can be viewed in my Podcast Forum: htt s excellent site, the Luminous Landscape: http://www.luminous-landscape.com/
For a technical review...
#04 : Panning - a Swan Takes Flight
An explanation of a photographic technique called Panning , with real-world examples. When panning you shoot a moving subject with a lowish shutter speed to blur the background and make dynamic images with plenty of movement.
When panning you shoot a moving subject with a lowish shutter speed to blur the background and make dynamic images with plenty of movement. Steady stance and twisting from the waist is important, but also shoot through the shot, and don t stop when you think you have it!
#03 : Seeing and Anticipating Shots
In this episode we ll discuss how to see or anticipate a shot and ways to raise your shots to a higher level.
Before we raise our camera to our eye, compose the shot and choose the aperture and shutter speed and release the shutter, we must first anticipate the shot, but this simple action is not always as easy as it seems.
#02 : Stable Posture in Low Light
Using my Great Tit shot I explain how to increase your chances of getting the shot in low light.
Using a few simple techniques including a stable kneeling posture and Image Stabilizer lenses you can succeed in getting the shot even in relatively low light conditions.
s Stare
The first Podcast from Tokyo based photographer Martin Bailey, discussing his shot - The Pink Flamingo s Stare
In this episode I walk you through how I made the photo, Depth of Field and the ethical side of shooting in a zoo